Showing posts with label CD. Show all posts
Showing posts with label CD. Show all posts

Sunday, February 10, 2013

Introducing Scott Petito

SCOTT PETITO AT THE MIXING BOARD
Scott produced, performed on, mixed and mastered my CDs
"Wing'd With Hopes" and "The Goldenrod"

Scott's resume reads like a "who's who" of the music world: he's worked with James Taylor, The Band, Keith Richards, Chick Corea, Dave Brubeck, Jack DeJhonette, Aine Minogue, Pete Seeger, Jay Unger and Molly Mason (background music for many of Ken Burns' documentaries) and many others in the folk and jazz world. He also is a member of The Fugs and performs with his partner, Leslie Ritter. 

He is primarily known for his producing, mixing and mastering of CDs, but he is also a musician. His main instrument is bass, but he is also adept at the piano, guitar, percussion and cello. 

The first CD I did with Scott was the "Wing'd With Hopes" CD. It was a best seller on CD Baby in the Renaissance category for awhile. It also received a lot of airplay in the USA and abroad. Recording the CD lead to winning a grant from the New York Foundation of the Arts to record another CD of my original songs, "The Goldenrod" (and was an editor's choice on CD Baby when it first came out).

Check out some of the other great artists that Scott has worked with that are perhaps (?) in the same ballpark/genre as my own CDs:

This is a beautiful song he recorded with Leslie Ritter (on YouTube): If Mary Knew

He records at NRS Recording Studio in Catskill, NY.

Thursday, December 27, 2012

My CDs: Wingd With Hopes, The Goldenrod and Saratoga Romance

I haven't written much about my CDs in this blog, so I thought I'd mention some of them. Afterall, it has taken up a large part of my time and life.

My CDs are all available on-line through:

My Artfire on-line shop (scroll down past the featured products)

or through CD Baby:
(a Renaissance CD and an original song CD) 
or:
(Celtic music CD)

You can also listen to clips on MYSPACE to our
Renaissance band's music (Lise Winne and the Spirites Consort)
or our predominantly Celtic/acoustic/folk band's CD (Saratoga Faire band)
or my own Myspace site which has a smattering of the two bands, my own original songs and some demo songs that were never put out for sale  
  
Here are some of my CDs:

Wing'd With Hopes with The Spirites Consort was released in 2001:


Wing'd With Hopes is my best-selling CD to date. It is an album of Renaissance songs using modern instruments, an innovative approach and a produced sound. It was recorded, mixed, mastered and co-produced with Scott Petito (who also records big names like James Taylor, the Band, Keith Richards of The Rolling Stones, Pete Seeger, Dave Brubeck and Aine Minogue, so it is a quality recording). The instruments are primarily acoustic instruments with world percussion, so it is a kind of hybrid sound somewhere between folk, classical and world music.

Before this recording, I was performing the works of Thomas Campion and John Dowland as a solo artist tackling both the lute part and singing, but it was challanging to do both, to say the least. My father who is a trained classical and jazz pianist suggested I try a new age, creative approach to the music instead, using a band. And that is how Wing'd With Hopes came to be.

After recording Wing'd With Hopes, I won a grant from The New York Foundation for the Arts to make another CD. This resulted in The Goldenrod, which was released in 2004:


The Goldenrod is an original song CD. Three of the originals were written with Jason Kessler, who I worked with from 1998 - 2000 in various capacities from Renaissance and light classical concerts, holiday concerts and jazz/new age style originals. The three compositions, Seaflight I, Where Did You Go and Perhaps Butterflies were songs in which Jason wrote the music and I wrote the lyrics.

There is one song on the CD which did not have my lyrics or music: Dreaming You Back to Me. This one was written by my music partner, Jeff Belding (music) and a lyricist he worked with for awhile, Rene Balsam.

As with Wing'd With Hopes, the CD is also recorded, mixed, mastered and co-produced with Scott Petito.

The inspiration for writing the CD came from the break-up of a relationship and the healing and spiritual journey afterward. Musically, the influences range from Renaissance music, jazz, folk and new age.

In the midst of finishing The Goldenrod CD project, Jeff Belding and I formed a band with Frank Orsini (violin, viola and mandolin) with Jim Lestrange (hammered dulcimer, bass and guitar). We called ourselves Saratoga Faire.

Our debut album, released in 2009 is called Saratoga Romance:


The title track is a waltz written by Jeff Belding about the place where we all met. He also contributes songwriting to The Fountain and Living to Eternity.

But a predominance of the album is Celtic and traditional songs.

We covered two songs on the album: Wind in the Willows written by Alan Bell and made popular by Blackmore's Night and Far Away, an instrumental by Peter Jung that has a Celtic style to it.

I produced the cover art for the CD.


Saratoga Faire is on a bit of a performance hiatus (medical for one of our members -- should be better soon), but we've performed at some great venues.

Our two favorite performances took place at Troy Music Hall (one a concert of our usual repertoire and one a Christmas concert). It is an ornate Victorian era music hall with two upper balconies in upstate NY.

This is a snippet of a photo of the inside of the hall with two upper balconies just above the stage area (from the Troy Music Hall website):


Finally I leave you with a photo of our band at Troy Music Hall after the audience went home (photo by Tania Susi, a Julliard grad violinist):




Wednesday, August 11, 2010

Sara Milonovich's Daisycutter


Every Spring and Summer I have a favorite CD that I like to take with me on my jaunts to art galleries to deliver work.

This year’s favorite is Daisycutter by Sara Milonovich.

It was released last year (2009), but this year was the first time I got around to listening to it. She recorded it at the same studio that I recorded Wing’d With Hopes and The Goldenrod (Scott Petitio’s NRS Recording Studio).

I love this album! It is an album that grew on me (there is a lot to listen to in the lush production and I wasn’t used to the genre).

 My favorite is Willie Taylor (just because I like new interpretations of old songs done brilliantly), but the most powerful songs on the album are probably Country Life and Insanity Street.

The album kicks off with Country Life by Steve Knightly of the British Isles. It’s a powerful song about the loss of farms in the English Countryside:

For a taste, here are some of the lyrics:

If you want cheap food well here’s the deal, family farms are brought to heel

Hammer blows of size and scale, foot and mouth the final nail

The coffin of our English dream, lies out on the village green

Where agri-barons CAP in hand, strip this green and pleasant land

Of meadow, woodland, hedgerow, pond, what remains gets built upon


No trains, no jobs

No shops, no pubs.

--- © Steve Knightly

The original Knightly version is here. But, Sara did it great justice with an angry vocal delivery, a blazing fiddle track and a haunting dobro by Abby Gardner. You can hear what Sara did with Knightly’s song on her MYSPACE here.

The next track is Under the Weather (written by K.T. Tunstall and Tommy Danvers). It starts out sounding political:

Under this national raincloud
I’m getting soaked to the skin
Trying to find my umbrella
But I don’t know where to begin

A couple of lines later, it still seems to be in a political vein with these lines:

‘Cause I’m under the weather
Just like the world
So sorry for being so bold

--- © K.T. Tunstall and Tommy Danvers

But then it turns into a love song.

The song is sung in a soft meandering spirit, like the lyrics.

Fiona’s Breakdown is written by Sara and arranged by Sara, John Doyle (who also plays acoustic guitar on the track) and Greg Anderson, the producer of the album. Viktor Krauss, Alison Krauss’s brother, plays acoustic bass on the track. This piece shows she is in the same league as any of the great fiddle players of our time (including Natalie MacMaster). The composition is in tribute to her car, a blazingly fast piece.

Northern Cross is a longing love song written by Leslie Smith. The gist of it is in these 2 poetical lines:

Oh meet me on Red Mountain, lace of laurel, bed of moss
Where the wind's forever howling beneath that Northern Cross

--- © Leslie Smith

Sara’s vocal delivery is plaintive on this piece while 2 fiddles (one played by John Kirk) drone on in the background.

Pleasant Valley Sunday is one of the nice surprises of the album and sets it apart from being another folk album. It has a zydeco rhythm and is just as fun, frolicking and “zippy” sounding as when The Monkees did it. However the Monkees look like a band born in and comfortable with suburbia and their Beatlesque version fails to convince when they sing this anti-suburbia song. Sara’s version does a much better job of persuasion. Here’s a taste of the lyrics:

See Mrs. Gray she's proud today because her roses are in bloom
Mr. Green he's so serene, He's got a t.v. in every room

Another Pleasant Valley Sunday
Here in status symbol land
Mothers complain about how hard life is
And the kids just don't understand

Creature comfort goals
They only numb my soul and make it hard for me to see
My thoughts all seem to stray, to places far away
I need a change of scenery

--- © Carole King/Gerry Goffin

Perhaps the writer, James Howard Kunstler, and the painter, Eric Fischl, would be happy to use Sara’s version as their background music.

The sixth cut, Insanity Street shows Sara’s vocals at her best. The vocal delivery here is soft and melancholic with Sara’s beautiful baritone violin, Abbie Gardner’s stunning dobro and Greg Anderson’s tasteful arrangements on electric guitars, electric piano and organ. The anti-war lyrics by Lillie Palmer pack a powerful punch:

We live on Insanity Street
Where the ends and the means seldom meet
And we walk and we talk while the four horseman stalk
The stones of Insanity Street

And we talk of the coming of peace
Of a time when hostilities cease
But we make and we store all the weapons of war
‘Cause we live on Insanity Street

And when in the turning of years
The market for war disappears
Should we meet on the street with the dust at our feet
And stare at each other through tears

--- © Lillie Palmer

Another favorite is The Last Snowfall, a tune reminiscent of Jay Unger’s sweetest pieces with Natalie Haas on cello, Abbie Gardner on dobro, Scott Petito on bass, Greg Anderson on acoustic guitar and Andre Brunet and Sara on violins.
Right after that is the romping traditional Willie Taylor with a creative arrangement by Sara, Greg Anderson and John Doyle which takes a bit of folk, zydeco, rock and Celtic and melds them into one. As mentioned earlier, it is my favorite on the album.

Here Comes the Flood by Peter Gabriel is probably the most vocally challenging piece on the CD. It enigmatically refers to an apocalypse.

The Lake Arthur Stomp is how I remember Sara before Daisycutter, as part of a fiddle ensemble which included John Kirk, Trish Miller, Ed Lowman and Cedar Sanistreet.

To conclude, this album is one of the best that I have heard in a long time. The fiddling is as good as the fiddling of more well known names in the field, her arrangements are often stunning, her choice of material shows concern for the world that we are building and her vocal chops are as good as any of the better known folk singers on the circuit today.

However, for her next album, I’d like to see her push her vocals to the maximum, reach beyond and below the comfortable range that she shows on Daisycutter because she'd run past the lot of us then.


Wednesday, March 31, 2010

Saratoga Faire CD featured on Celtic Radio Station


Saratoga Faire update:

Our CD "Saratoga Romance" to be featured on IRFT Celtic Radio on Monday, April 5, 2010. They will play the CD in its entirety. Start time of the show is 4:00 p.m. PDT: http://www.irftradio.comlu.com/

I think this is the first time since the CD was published that you can hear it in its entirety (i.e. no soundclips or selected cuts).

We also did an interview for 101.7 fm in the northeast for Community Cafe Hour (with John Kribs) with half of this CD aired plus cuts from my solo singer/songwriter project, The Goldenrod, as well as 2 cuts from Wing'd With Hopes (my Renaissance band CD with The Spirites Consort).

Music MYSPACE (hear clips)
My Etsy on-line store and Artfire on-line store for purchasing some of my CDs and some of my art
My band site: Saratoga Faire
My Renaissance band MYSPACE: The Spirites Consort (hear clips)